635 Free Artworks of Drawings Of Architectural Ornaments

the power of form applied to geometric tracery (1851)department of drawings and prints, metropolitan museum of artmetropolitan museum of artetching printthe elisha whittelsey collectionetching and engravingwoodcutla vera perfettione del disegno di varie sorte di ricami (1564)rogers fund - books and manuscriptsgiuseppe porta
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594079377), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778053104), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780465815), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594000160), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778065064), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757611276), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593946688), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593809848), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757443006), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594039290), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780074382), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780253082), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594021288), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780539405), 1851
the power of form applied to geometric tracery (1851)
Oviedo. Cruz apellidada de los Ángeles en la Cámara Santa de la Catedral - Teófilo Rufflé, Teófilo Rufflé
chromolithographsteófilo rufflé
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593842919), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757470896), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593840520), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594078958), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757462666), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757570856), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593920650), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800443203), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593894267), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778388714), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780509115), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757432516), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800498873), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593847058), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780259112), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757669636), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593736920), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780283802), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777495361), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757396946), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780065592), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593873058), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594002979), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778263624), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777579311), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777611331), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594091288), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780118312), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780234782), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800293983), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593993648), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594097748), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780476055), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593955608), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778054664), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800502753), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778336764), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757469566), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800461033), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778286754), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777565611), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594036160), 1851
the power of form applied to geometric tracery (1851)
Schaal op een ornamentele sokkel, RP-T-1943-124-9, Maria Vos, November 1867
pencil drawings in the rijksmuseum amsterdamschetsboek met 40 bladen, van maria vos
A moorish patio, John Singer Sargent, 1879
drawings by john singer sargentimpressionism
Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 9 (recto), Cesare Vecellio, 1620
department of drawings and prints, metropolitan museum of artalessandro de' vecchi
Design for a Fountain, plate 80 from Dietterlin's Architettura, Wendel Dietterlin, 1598
wendel dietterlinmannerism
Tomb of William III - *Tombeaux des Princes et des Grands Capitaines*, François Boucher, circa 1736
department of drawings and prints, metropolitan museum of artrococo
Projet d'une grande Pendule, from 'Oeuvre de Juste Aurele Meissonnier', Juste-Aurèle Meissonnier, circa 1742–48
works by juste-aurèle meissonniergabriel huquier
Images of the main buildings from all those arranged by Philips Vingboons, Johannes Vingboons, 1648
afbeeldsels der voornaemste gebovwen, uyt alle die philips vingboons geordineert heeftjohannes vingboons
Grotesque Design with an Octagonal Panel in the Center and Two Griffins Drinking from PLates held up by a Hybrid Creature (recto); Two Turtles above a Scene with Four Figures (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Title page depicting a two-handled base with dancing nymphs, from Antique Vases (Vasa a Polidoro Caravagino), Polidoro da Caravaggio, 1605
department of drawings and prints, metropolitan museum of artprints by cherubino alberti
Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs. (Ch. décorée d'une frise de casques et d'armures . . .), Giovanni Battista Piranesi, circa 1769
etchings by giovanni battista piranesineoclassicism
Plate 2: Two-handled vase with a nude figure on a pedestal at center, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Ornament met bloemen, een vaas en putti, BI-1926-517-59(R), Jacob Toorenvliet, circa 1701
drawings by jacob toorenvliet in the rijksmuseum amsterdamjacob toorenvliet
Marsh of Triton; figures battling as Minerva looks on from above; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Cabinet de Mr le Compte Bielinski, from 'Oeuvres de Juste Aurelle Meissonnier', Juste-Aurèle Meissonnier, circa 1742–48
works by juste-aurèle meissonnierpierre chenu
Fireworks display in the honour of Prince Octavio Piccolomini, Duke of Amalfi, celebrating the end of the Thirty Years War, Nuremberg, 1650, Michael Herr
peter troschelmichael herr
Plate 8: Vase or Ewer Decorated with a Satyr Figure, Behind Two Cornucopias, and Two Winged Victory Figures, from Antique Vases (‘Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Album Containing Architectural, Ornament, and Figure Drawings., Pier Francesco Mola, 1630–31
pier francesco molabaroque
The True Perfection of the Design of Various Sorts of Embroidery, page 27 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 37 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 13 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 33 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 37 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 4 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 5 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
Plate 10: Lidded Vase With a Handle in the Shape of a Griffin and A Frieze With Draped Dancing Figures, from Antique Vases (Vasa a Polydoro Caravagino’), Cherubino Alberti, 1605
prints by cherubino albertibaroque
Bust of Bacchus surrounded by strapwork, from the series' Deorum dearumque,' a set of images of deities after coins in the collection of Abraham Ortelius, Philip Galle, 1573
joannes van doetecum (i)gerard groenning
City of Lucknow, Capital of Province of Oude, on the Goomty River, George Hunt, 1 November 1824
a picturesque tour along the river ganges and jumna in india (1824)british library asia, pacific and africa collections
"The King's House at 't Loo", in: Theatre of the Most Important Dutch Houses and Gardens of Pleasure, Depicted from Life, Carel Allard
department of drawings and prints, metropolitan museum of artcarolus allard
Architect's Sketchbook and Sourcebook., Ferdinando Galli-Bibiena, between 1700 and 1743
department of drawings and prints, metropolitan museum of artferdinando galli da bibbiena
Bust of Janus surrounded by strapwork, from the series 'Deorum dearumque,' a set of images of deities after coins in the collection of Abraham Ortelius, Hans Vredeman de Vries, 1573
joannes van doetecum (i)lucas van doetecum
Partial View of a Monument [Mercurii Templum] from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
A shore framed by rocks, with Neptune in his chariot on the left and Salacia in hers on the right; at center, a ship caught in a storm; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Ballet Costume - *Habit de Folie, Ballet Pose with Bonnet*, François Joullain, circa 1721
prints by claude gillotfrançois joullain
Two females in the foreground, one standing the other reclining, surrounded by tree-lined paths; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
A large gathering of people in the street as a goddess races across the sky in a chariot led by four horses; set design from 'Il Fuoco Eterno', Mathäus Küsel, 1674
department of drawings and prints, metropolitan museum of artmatthäus küsel
Plate 5: Vase or Ewer with a Double Frieze, the Top shows Men Wrestling a Bull, the Bottom contains a Mask and Two Griffins, from Antique Vases (Vasa a Polydoro Caravagino), Polidoro da Caravaggio, 1605
department of drawings and prints, metropolitan museum of artprints by cherubino alberti
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Funeral monument to Charles V, Duke of Lorraine, frontispiece to 'Les Actions glorieuses de S.A.S. Charles Duc de Lorraine', Sébastien Leclerc, 1703–04
department of drawings and prints, metropolitan museum of artsébastien leclerc
Plate 1: Saturn; statue of the nude god standing on a socle, holding a scythe in his right hand and a child in his left; from 'Statues of Roman Gods' after Jacques Jonghelinck, Philip Galle, 1586
jacques jonghelinckphilips galle
Toledo. Guadamur. Coronas y cruces visigodas de Guarrazar (2) - Teófilo Rufflé, Teófilo Rufflé
chromolithographsteófilo rufflé
Partial view of a Building [Templum Iovis Ultoris) from the series 'Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles', Lambert Zutman dit Suavius, circa 1572
lambert zutman dit suaviusmaster g.a.
Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artmatthäus küsel
Plate 4: Apollo; statue of the nude god standing on a socle, wearing a crown and holding a scepter in his right hand and an orb in his left; from 'Statues of Roman Gods' after Jacques Jonghelinck, Philip Galle, 1586
jacques jonghelinckphilips galle
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